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XO Tour Llif3 was originally a collaboration with another producer, J.W Lucas. TM88 produced "XO Tour Llif3" on FL Studio. Lil Uzi Vert references money numerous times on the track with one line stating "all my friends are dead" citing the use of deceased presidents on banknotes. The themes of the song focus around substance abuse, quoting Xanax and prescription drug abuse as a way to relieve heartbreak. The song is inspired by Lil Uzi Vert's relationship with Brittany Byrd and the couple's eventual break-up in June 2016. "XO Tour Llif3" is an emo rap song composed in common time ( 4Ĥ time) with a length of three minutes two seconds and written in B minor with a tempo of 155 beats per minute with a common chord progression of Gmaj7-Em-Gmaj7-Bm-A. The popularity of "XO Tour Llif3" resulted in the viral "Lil Uzi Vert Challenge". The song quickly amassed millions of plays and attention across social media, and as a result was given a commercial release. On February 26, 2017, Lil Uzi Vert released Luv Is Rage 1.5, an extended play consisting of four tracks, including "XO Tour Llif3", on his SoundCloud account. When TM88 returned to Atlanta, he could not access his laptop, leading to him using an old computer and a Beats Pill speaker to produce the instrumental for XO Tour Llif3. During the ten hour wait at the airport following the shooting, TM88 lost his laptop charger. TM88's return flight to Atlanta was delayed due to the Fort Lauderdale airport shooting. Lil Uzi Vert originally contacted TM88 through FaceTime while TM88 was in Miami to work with rappers Future and Gucci Mane. Speaking to Apple Music in 2017, he described himself as an alien, but the reality is more interesting: He’s of the earth, he’s here, he’s now."XO Tour Llif3" began when Lil Uzi Vert started collaborating with producer TM88.
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Guess he had to find something to do with the free time. After the massive success of 2017’s Luv Is Rage 2, Uzi announced that he’d deleted all works-in-progress and was retiring, only to surface in 2020 with the almost mythically anticipated Eternal Atake, following the album about a week later with a Deluxe Edition that doubled its length. Like Thug, Uzi is a distinctive rapper (the stage name was given, not taken), but the key to his sound is melody, mixing post-trap rumble with the candied hooks of pop-punk and neon surfaces of EDM for a style that splits the starkness of modern hip-hop into prismatic color.
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But definitely not a rapper in the traditional sense.īorn Symere Woods in North Philadelphia in 1994, Uzi first started rapping to one-up a classmate, quickly making the leap to national relevance through features with Young Thug and Migos while building a tight-knit collective of producers and collaborators, known as Working on Dying, at home. That he could turn a line as bleak as “Push me to the edge/All my friends are dead” (“XO TOUR Llif3”) into a singalong only made him more vital-here was a guy feeling the pain and packaging it in style. Where previous generations of rappers leveraged influence through the boardroom (Jay Z: “I’m not a businessman/I’m a business, man”), Uzi represents a generation fluent in fashion and social media, not just a recording artist but a kind of creative director whose personality and sense of world-building telegraphs almost as loudly as the music. Lil Uzi Vert told us upfront, in his intro to Playboi Carti’s “wokeuplikethis*”: “I’m a rockstar.” The metaphor wasn’t about dominance so much as it was about flamboyance, for Uzi as a purse-carrying, post-Kanye MC raised on anime and Marilyn Manson, whose indifference toward hip-hop orthodoxy made him a punk to some and a hero to more.